![]() The concepts of mitochondria and human evolution are creative ones, if a bit hard to believe, but there just isn’t a lot of substance to any of the characters or plot points. The story also feels very clearly Japanese in origin, thoughtful and reflective on humanity-just a little too stargazing for my tastes. The writing is a bit shaky as well, with loads of melodrama and lines bordering on mistranslation scattered throughout the game’s eight-to-ten hours. Without the voices, the story seems oddly quiet and empty. ![]() None of the dialogue is voiced, and several scenes with just dialogue are eerily quiet this isn’t uncommon for the era, but it feels strangely out-of-place here. The story is a bit rough overall, for several reasons. Using these powers, and her trusty sidearm, Aya fights to stop Eve and save the city. ![]() ![]() She notes that Aya is special as well, her own mitochondria giving her special powers. Eve speaks of mitochondria, a part of human biology that allows her to morph and control humanity. Aya chases after the mysterious woman, now calling herself Eve, and watches in terror as she changes before her eyes. Partway through the show, everyone in the theater begins to spontaneously combust-save for Aya and the lead actress. NYPD officer Aya Brea decides to visit the opera on Christmas Eve, pulled there by some desire she can’t explain. Parasite Eve takes place in New York City, circa-1997.
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